Manzoni's Luck in the pages of literary criticism
already begins at the time of his youth, when Vincenzo Monti Ugo Foscolo and appreciate the budding poet. The Betrothed were highly successful and within a year, thirteen editions are printed, some in German, French, English.
The critic who contributes to truly know the work of Manzoni in Italy is Francesco De Sanctis that the author devotes an entire course in 1877. Critics of the poet Manzoni Giosue Carducci, who remains silent bourgeois conformism, while the philosopher and critic Benedetto Croce says that Manzoni's novel contains no poetry, but is by public speaking, Antonio Gramsci (1891-1937) in his accusation of paternalism Manzoni attitude to the humble, wise in the national life and literature (1950), molded in the Prison Notebooks (1972). The prosecutors
Search De Sanctis and Croce, to date, the most acute interpreters of the work Manzoni. Attilio Momigliano, Luigi Russo and many others, trying to highlight, in addition to the various themes and concepts of the characters, the poetic unity is the fundamental message of the work human Manzoni. Michele Barbi designs in 1939 national edition of the works of Manzoni, and in the fifties, implementing a critical edition of three editions of the novel, critical to allow useful comparative tests. Most recent scholars (G. Petrocchi, L. Firpo, L. Caretti, G. Vigorelli, D. De Robertis, V. Spinazzola, D. Isella, E. Raimondi, M. Vitale, M. Corti, U. Eco) endeavor to illustrate the relationships between Manzoni and culture Italian and European of his time, considering the extent to which they are filtered through the literary work.
Natalia Ginzburg, in The Family Manzoni (1983), reconstructed, through correspondence, the complex and diverse "environment" Manzoni, are relatives, friends and collaborators.
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