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Theme played free creation of the Betrothed

idea Manzoni The Betrothed

reading a proclamation of the seventeenth century, reported by Melchiorre Gioia. It's the same entered in the third chapter of the novel, about the penalties faced by those who would prevent the celebration of a marriage. "You know what it was that gave me the idea of \u200b\u200bThe Betrothed? It was the screams that came under the eyes to combination, and I do read, in fact, Dr. Renzo Azzecca-tangles to where they are, among other things, criminal penalties against those who threaten a priest because I'm not a marriage. And I thought, this would make a good subject for a novel (a thwarted marriage), and for the grand final plague that fixes everything ", write Manzoni, years later, his stepson Stephen Press.
been years of hard work. So imagine Peter Cited intent in his creative effort: "It was the happiest period of his life: the only, perhaps, happy that he knew ... He was intrigued and amused by what he told, and for the first time discovered bring the joy of adventure, intrigue to dissolve, to play with the facts ... even the neuroses and nightmares for some time seemed to loosen their grip on him. "
Getting to the novel? What are the inner urgencies that close to this type of production, almost absent in Italy, considered even with a kind of sufficiency by intellectuals, one directed towards an audience non-bourgeois "experts"? In fact
Manzoni understand that neither civil nor the lyric theater that meet communication needs "broad range" that is his deepest yearnings. Indeed, the characters of the theater and becomes almost symbols, stand in a sphere which involves abstract meditation existential Adelchi is a hero, locked in the circle of his sublime pessimism. How many readers can identify with him, while sharing the principles and aspirations?
The novel, however, presents itself to the general public with a simpler language, a story compelling, lifelike characters for their very human reactions. The genre of the novel is the literary image of the class bourgeois is a public non-elite and yet eager to read. Thank
Fauriel, during the second stay in Paris, Manzoni has known the works of Scottish Walter Scott: with him it comes to historical fiction because the sentimental lives of the protagonists are lowered into well-defined historical periods and mostly in the Middle Ages, reconstructed with a certain reliability. Ivanhoe is in the fertile vein of Scott's fiction, the most famous novel, published in 1820. As you can see easy to read, Ivanhoe is set on the juxtaposition of good and bad persecuted persecutors, who will find the right punishment. Love, long mortified and nearly canceled the arrogance of "bad", the end results in marriage blessed. Alessandro Manzoni includes the huge potential of literature contained in the novel. In Italy this experiment is not yet completed. Runs only the epistolary novel by Ugo Foscolo Last Letters of Jacopo Ortis (1817), partly autobiographical character, where the theme of love that unites the country subservient to an alien. James, disappointed in the hopes of marrying his beloved and disappointed that the Treaty of Campoformio of 1797 the Republic of Venice has fallen into the hands of the Austrians, kills himself.